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・ Shur Tang
・ Shur Tappeh
・ Shur Tappeh, Afghanistan
・ Shur Tappeh, Iran
・ Shur, Iran
・ Shur, Iranshahr
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・ Shur-e Sofla
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Shura Cherkassky
・ Shura Council
・ Shura Council of Benghazi Revolutionaries
・ Shura Council of Mujahideen in Derna
・ Shura Kandi
・ Shura no Mon
・ Shura Taft
・ Shura-e Nazar
・ Shura/ Taran Kano
・ Shurab
・ Shurab Khan
・ Shurab Rural District
・ Shurab Rural District (Fars Province)
・ Shurab Rural District (Lorestan Province)
・ Shurab, Afghanistan


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Shura Cherkassky : ウィキペディア英語版
Shura Cherkassky

Shura Cherkassky ((ロシア語:Александр (Шура) Исаакович Черкасский); 7 October 191127 December 1995) was an American〔http://www.nytimes.com/1987/03/01/arts/the-poetry-and-grandeur-of-shura-cherkassky.html?pagewanted=all "now an American citizen who lives in London"〕 classical pianist known for his performances of the romantic repertoire. His playing was characterized by a virtuoso technique and singing piano tone.〔Harold C. Schonberg, The Great Pianists from Mozart to the Present, Simon & Schuster, Second Edition (1987)〕 For much of his later life, Cherkassky resided in Britain.
==Early years==
Alexander Isaakovich Cherkassky (Shura is a diminutive form of Alexander) was born in Odessa, Russian Empire (now in Ukraine) in 1911. Cherkassky's family fled to the United States to escape the Russian Revolution.
Cherkassky's first music lessons were from his mother, Lydia Cherkassky, who once played for Tchaikovsky in St. Petersburg. She also taught the pianist Raymond Lewenthal. In the United States, Cherkassky continued his piano studies at the Curtis Institute of Music under Josef Hofmann. Before studying with Hofmann, however, Cherkassky auditioned for Sergei Rachmaninoff, who advised him to give up performing for at least two years and to change the position of his hands at the keyboard. Conversely, Hofmann suggested Cherkassky should continue giving concerts, and this long association with public performance meant that Cherkassky felt comfortable before an audience. Hofmann also recommended that he practice for four hours every day and Cherkassky did this religiously throughout his life, maintaining an extensive repertoire (baroque to Berio) to an exacting standard. His studies and advisory sessions with Hofmann continued until 1935. In the interim he began his lifelong obsession with world travel with trips to Australia, New Zealand, the Far East, Russia and Europe.
Cherkassky performed actively until the end of his life, and many of his best recordings were made under live concert recital conditions.

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